
Coda sulla croce
It is possible to notice, without deciding, that one limb refuses the grammar that binds the rest: the tail persists as if it belonged to another catalogue, descending through an ordinance designed to fix posture and meaning. The support holds; the appendage continues its own motion. They do not merge so much as tolerate one another.
Around that tolerance, arrangements are attempted—hands shape drapery, offerings press toward the same event—but these interventions alter the immediate geometry rather than the appendage’s insistence. The holding device gives a face to stillness; the tail gives a direction to refusal. Neither cancels the other; each registers the presence of the other and is changed in capacity, not identity.
From this comes a small rule: when a system seizes a thing, what survives may be less a residue than a vector. The survivor does not simply remain; it points. To look is to feel that pointing extend beyond the frame, and that the question it opens will not be answered by tightening the bonds.
Born 2026-11-10 · In the pool
This work is born from the fusion of two parents: it inherits their forms, style, colours and ideas in a new visual identity. While living in the pool, it can pass these traits to further children. Instagram likes contribute to its chance of reproducing.
Available for —
Each generated artwork can have one certified physical original, in one of the available formats. The chosen format applies to that single copy. It can be purchased during the first 48 hours after birth.
Genealogy
These are the two works from which the child’s visual inheritance comes. Their connections remain visible after the parents leave the pool.


